First off let me address some of the questions and disappointments by previous reviews.1) "This isn't the whole soundtrack" - Yes, you're right about that point. The OST (4 hours) can be bought from a separate site: [...]This is the "deluxe edition" and contains more music - it also costs more due to the included extras (like illuminated star map). Check the site for more details if interested.2) "The 'Docking Sequence' isn't on here!" Well, partially right. Part of the docking sequence is on here, it's just not layered like the one in the movie. It begins on the track "Coward" and starts speeding up about 5min in. While it does not include the 'en-ti-ire' thing, some post processing was most likely done (and probably included on the Deluxe set) that draws out key parts and layers the first half over the second half.Alright, now that that is out of the way, I can review the soundtrack.Some credintials about me:1) I like soundtracks, music, and movies (veritable tri-fecta of a target market!) so I may be a bit biased towards over-appreciation and accolades.2) I own/have listened to all the LOTR soundtracks (love me some Howard Shore) and typically play soundtracks in my car while driving or general browsing at home. Logitech Z5500 5.1 stereo FTW!3) I like to remember the movie, visiting it again with all the emotion and feelings I had watching it. That's primarily the reason I like soundtracks[Some minor plot spoilers]Overall there are about 4 main sequences: Face-paced ("docking"-style movements), peak-type (starts lower keys, move to higher keys, then back and again), slow type (lower, open type moment and movement- alot of organ), low, moody, dark (pieces that feature horns, multiple layers of strings, organs) and other (don't fit into any category well)Now to review the tracks themselves, for a brief summary of the highlights:Track 1 (Dreaming of the Crash): Reminds me of 2001: A Space Odyssey beginning overture. Short, not much substance really. (Movie part - beginning 5 minutes) Type - otherTrack 2 (Cornfield Chase): Light, fast paced music, highlighted by crescendo. Eh, alright for quick sequencer-type music. Not postive, but limited organ involvment. (Movie part - obvious, they're chasing the drone in the cornfield) Type - fast, but not as fast as dockingTrack 3 (Dust): Dark, moody piece. Feeling here was "We did this to Mother Earth, she is taking revenge" (Movie part - dust storm, driving part) Type - low, moody pieceTrack 4 (Day One): Overall piece felt like an overture to the movie, a sum-of-it-parts type (Movie part - all? not sure) Type - peak-type, slow/hug-feely type and low, moodyTrack 5 (Stay): Really good piece, this is good stuff. This could stand alone by itself honestly (Movie part - he's leaving, launching for mission) Type - slow/hug-feely typeTrack 6 (Message from Home): soft piano piece, easy listening, short (Movie part - at Jupiter listening to messages, also in some parts toward end) Type - slow typeTrack 7 (The Wormhole): short piece, crescendo-type and fast (Movie part - wormhole entry) Type - fast otherTrack 8 (Mountains): brooding, a build-up (Movie part - on water planet) Type - fast-paced, but not as fast as docking and other. One of the better tracks IMHO.Track 9 (Afraid of Time): slow, piano and organ movements (Movie part - talking w/ Ameilia Brand on Miller's planet) type - low, moody typeTrack 10 (A Place Among the Stars): (Movie part - Dr. Mann's/Dr. Brand's truth part) type - low, moody typeTrack 11 (Running Out): soft piano (Movie part - I think Dr. Brand's truth to Murph) type - low, moody typeTrack 12 (I'm Going Home): (Movie part - Cooper/Dr. Mann talking to crew, exploring) type - otherTrack 13 (Coward): great, fast and percussion heavy at start, then multiple layers (Movie part - it's layered here to the Dr. Mann maroon attempt, and the infamous "docking sequence" [although not the same as in the movie - it's missing the layer of "Mountain" percussion and first half of the same track percussion]...also layered over Murphs attempt to rescue)Track 14 (Detach): good, has solid crescendos (Movie part - Newton's 3rd law near Gargantuan) type - fast, layeredTrack 15 (S.T.A.Y.): great piece in similarity to Day One, organ heavy here, slower end (Movie part - Bookcase scene) type - peak type, other towards endTrack 16 (Where We're Going): More like the first track at start, then has parts of Day One (Movie part - End scene, End credits, also a rehash of the first track) type - all-encompassing, peak otherSo overall, yes it does not have exactly the movie's score, But I knew that when I bought it. If you don't want to listen to the same track for 20-30 min, this has the assemblies/crescendos that appear in the movie.For $10, worth it to me when I want to re-visit the movie's awesome sound.Update 2100CST 19Nov: Hans Zimmer might release the "docking" track for free! - check out updates at http://www.hans-zimmer.com/index.php?rub=disco&id=1256 (green text are moderators of site)Also, someone with editing skillz made a custom set of "docking" on youtube already: https://www.youtube.com/watch?v=ShSELif0x98&